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The Museum of Words

a memoir of language, writing, and mortality

ebook
1 of 1 copy available
1 of 1 copy available

In late 2015, Georgia Blain was diagnosed with a tumour sitting right in the language centre of her brain. Prior to this, Georgia's only warning had been a niggling sense that her speech was slightly awry. She ignored it, and on a bright spring day, as she was mowing the lawn, she collapsed on a bed of blossoms, blood frothing at her mouth.

Waking up to find herself in the back of an ambulance being rushed to hospital, she tries to answer questions, but is unable to speak. After the shock of a bleak prognosis and a long, gruelling treatment schedule, she immediately turns to writing to rebuild her language and herself.

At the same time, her mother, Anne Deveson, moves into a nursing home with Alzheimer's; weeks earlier, her best friend and mentor had been diagnosed with the same brain tumour. All three of them are writers, with language at the core of their being.

The Museum of Words is a meditation on writing, reading, first words and last words, picking up thread after thread as it builds on each story to become a much larger narrative. This idiosyncratic and deeply personal memoir is a writer's take on how language shapes us, and how often we take it for granted — until we are in danger of losing it.

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    • Books+Publishing

      June 29, 2017
      The Museum of Words, written as Georgia Blain knew she was dying of brain cancer, will be posthumously published. Her instinct, to the end, was to find meaning by writing through her experience. She implicitly asks, about herself, her best friend Rosie Scott (in a ghastly coincidence, also dying of brain cancer), and late mother Anne Deveson (then disintegrating into Alzheimer’s): what happens when a writer loses their language? How intrinsically is it linked to who they are? Blain notes that, with this book, she joins Cory Taylor (Dying: A Memoir) and Jenny Diski (In Gratitude) in an emerging subgenre of the illness memoir. Despite this grim context, the overwhelming tone of The Museum of Words is anticipatory nostalgia. It is a passionate, piercingly observed farewell to what Blain loved most in life—writing, reading and family—interlaced with intimate sketches of three generations of mothers and daughters (including her teenage daughter Odessa, also a writer), doubly bound by their shared vocation. The Museum of Words doesn’t, of course, have the polished near-perfection of Blain’s award-winning and horribly prescient final novel, Between a Wolf and a Dog, or her brilliant memoir-in-essays, Births, Deaths, Marriages. But its fragile strength, depth of insight and sheer hard-won existence make it a book to be read, treasured and shared as the parting gift it is. Jo Case is editor of Readings Monthly and a bookseller at Readings Doncaster

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  • English

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