October 10, 2005
In the summer of 1959, plucky North Carolinian Emma Gant escapes overbearing parents to begin her career as a reporter at the Miami Star
. Lodged at the colorful Julia Tuttle Hotel (a fictional Florida property named after Miami's real-life founder), Emma meets a group of Cuban families who've recently fled Fidel Castro. Emma spends her days learning the ropes as a reporter and her nights bantering (in broken Spanish) with the eclectic group of exiles. She also arranges rendezvous with her married lover, Paul, an innkeeper largely responsible for her decision to move South. Godwin, a three-time National Book Award nominee, taps into her experiences as a fledgling Florida journalist to render a tale whose ambling, amiable plot is redeemed by a cast of memorable characters. Among them are an arms-smuggling dentist, a diminutive German perfumer, a nefarious reporter with an "overall gleaming effect," and a distinguished academic who flees Cuba with his memoir stitched into his wife's wedding dress. Topping the list of provocative personalities is Ginevra Brown, aka the Queen of the Underworld, a former Miami madam once betrothed to a mobster. Readers who can't get enough Godwin can snap up the first installment of her two-volume memoir, The Making of a Writer: Journals, 1961–1963
, also due out this month (and reviewed on p. 44).
April 3, 2006
Though our protagonist's Southern accent varies in thickness from one chapter to another, Zimbalist generally gives a professional reading of this scantily clad autobiographical novel set in 1950s Miami. Recent college grad Emma Gant escapes her nasty stepfather and follows her married lover to Miami, where she begins work on the Miami Star
. Here we encounter a host of eccentrics: the miserable Queen of the Underworld (a serially suicidal one-time madam) the married boyfriend and his wife; a Jewish Mafioso;, a personalized perfume scent entrepreneur; and Cuban exiles exporting munitions as "dental equipment." Zimbalist handles Spanish well, distinguishing between the anti-Castro Cubans and Emma's own awkward attempts at the language. But there are so many oddball characters that we are sometimes aware of her straining to give each a distinctive voice and flavor. Despite her efforts, the plot is too rambling and the characters too disparate to finally gel into a novel. Simultaneous release with the Random House hardcover (Reviews, Oct. 10, 2005).